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Quartal Harmony
- EABbD (LH) C dom7 4ths voicing
- (3rds used in RH or in upper voicing)
- to create 4th voicings start from 3 7or
9
- listen to McCoy Tyner and Bill Evans
- arpeggios in 4ths mix well with modal
tunes
- practice diatonic 4ths arpeggios
cluster harmony
- notes from mode mashed together
- be careful of using tritone interval
in voicing-pulls ear to major tonality
- use tension note instead
Hindemith
- modern tonality
- ludus tonalis (for piano)