jazztrumpet.com
on concepts in
composition
- "something borrowed and something
blue"
- rhythm as a factor in motivic identity
(melodic shape and rhythm)
- satin doll includes harmonic sequence
and rhythmic augmentation
- call and response big band
sections/horns and rhythm/r and l hand piano
- stop time
- riffs basie/monk
- sonic signature of an artist
- oliver nelson major/minor, 1/2 steps
in inner voices, charlston
- can composition be extended into solo
area?
- monk's signature is moving motif into
other keys
- compositions should feel improvised
- melody reoccurs as a background with
slight rhythmic displacement
- ellington's dimuendo and crescendo in
blue is an extended work exploring juxtopositions of
dynamics and rhythm
- common duke/monk share the rhythmic
displacement element
- augmentation and diminution can occur
harmonically and rhythmically
- changing a melody by changing meter
- changing compositional form from
ballad to blues or visa versa
- moment's notice a 332 clave?
- ragtime has this device 332
- brazillian composer hermeto pasqual
more tunes than duke on 60th b day 1 tune a day for
entire year
- clare fischer
- one part in one meter/another in
another meter
- aggregate rhythm played by group not
one person
- blues in 3 with melody in 4 over top
- oliver nelson using written arranging
to mimic no style counterpoint
- borrowing segments from other tunes
and signaturizing them monk/williams/duke/trane all did
harmonic structures
- duke used whole tone scale over minor
chord
- monk used V and I at the same time or
E and F at the same time
- john lewis borrowed fuge form from
bach where development was in bach, he placed
improvisation
- palendrome something introduced in a
particular order and reversed at conclusion
- if you want to sound like someone
don't listen to them listen to what thy listened to ....
- how does im old fashioned relate
compositionally to the rest of the material on blue
trane?
- diatonic planing is present in moments
notice and im old fashioned
- love supreme aknowlegement has theme
in all 12 keys: statement on bringing ideas and concepts
together via their universality
- martin luther kings speech "i
have a dream" is compositional: inclues tonality
form call and response
- there may be a link between this
speech and Coltrane's tune Alabama